Background
Without denying the debt owed to the Edo master, there has been some debate over whether to judge Sadanobu's efforts in this and related series as mere copying of Hiroshige or as a reworking of his imagery and style to reflect Sadanobu's intimate knowledge of the Kamigata region. The scholar Matsudaira Susumu believed that other influences included ehon meisho (illustrated books of famous places: 絵本名所) by such Kamigata artists as Shunchôsai whose designs often featured written commentaries and contemplative style was similar to many Sadanobu fûkeiga (landscape prints: 風景画).*
Design
The original wrapper for this series had a more complete title: Naniwa hyakkei meisho shashin kagami (A Mirror of 100 Famous Views of Osaka — Truthfully Copied: 浪花百景名所写真鏡); the series was never completed — approximately 63 designs known. This animated design depicts Shinsaibashi, one of the busiest streets in Osaka, open day and night. It is the New Year and street vendors and stall proprietors jostle one another, hawking their wares to potential customers under an evening sky. With humor and vigor, Sadanobu has effectively captured the human spectacle in Osaka as the city's inhabitants usher in the New Year. Wataya Kihei, publisher of the present series, ran his shop at the corner of Shiomachi and Shinsaibashi Streets.
References: HSH, no. 181 (series)*
中判（17.2 x 24.7 cm）
摺り、色共に極良。保存状態良。（裏打ちなし。少数補修済虫食穴。下端にキズ。）
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