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Hironobu (廣信)

Description:
Front (1R) Arashi Tokusaburô IV (嵐徳三郎) as Ishii Genzô (石井源蔵); (2R) Jitsukawa Enjaku (川延若) as Ishii Hyôsuke (石井斧助); Back: (3R) Ichikawa Takijûrô (市川滝十郎) as Naka no Tôbei (中野藤兵へ); and (4R) Mimasu Daigorô (三桝大五郎) as Akabori Mizuemon (赤堀水右衛門), in Katakiuchi ukiki no Kameyama, Onishi Theater, Osaka
Hironobu HNB13
See Larger Image.

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Signature:
Hironobu ga (廣信画)
Seals:
No Artist seal
Publisher:
No publisher seal
Date:
9/1865
Format:
(H x W)
Deluxe chûban diptych nishiki-e
24.7 x 35.4 cm
Impression:
Excellent
Condition:
Excellent overall condition, very slight trimming; unbacked 
Price (USD/¥):
$475 / Contact us to pay in yen (¥)

Order/Inquiry: Ref #HNB13

Comments:

Background

Katakiuchi ukiki no Kameyama (Grief for a Gentle Flower and Revenge at Kameyama: 敵討優曇華亀山) falls into a genre of kabuki and puppet plays called, broadly, adauchi mono (revenge plays: 仇打ち物 or katakiuchi mono 敵討物). More specifically, the play is one of the Kameyama no katakiuchi mono (Kameyama revenge plays: 亀山敵討物) based on an actual event involving the Ishii brothers in the Date clan's castle at Kameyama in 1701. The tale recounts Ishikawa Hyôsuke's (石井兵助) vendetta against Akabori Mizuemon (赤堀水右箭門), a villain who tricked Hyôsuke's father into believing that his wife had been unfaithful, which ends in his murdering her. Hyôsuke, his brother Ishii Genzô (石井源蔵), and Genzô's wife (Hyôsuke's sister Okano) exact revenge against Mizuemon at Kameyama Castle. The story also became intertwined with many variations on the exceedingly popular revenge tale of the Soga brothers and was grouped with plays called Genroku Soga (Soga of the Genroku period: 元禄曾我).

Design

This is an unusual composition, with the heroes of the play, the Ishii brothers, positioned far forward in the picture plane; the Ishii retainer Naka no Tobei (top right), and the villain Mizuemon (top left) are placed well back in the composition. A dramatic sense of depth is thus established in this manner.

Our impression of this uncommon design is excellent with a small amount of metallic pigment (copper-rich brass) on the swords.

For another view of this scene, see Munehiro MUH03.

Another impression is in the Henrick Lühl Collection (Luh-A94-3-037).

References: KNP, p. 126