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Archive: Hokuei (北英)

Description:
Nakamura Shikan II 中村芝翫 (Nakamura Utaemon IV 中村歌右衛門) as Miyamoto Musashi (宮本武蔵) in Katakiuchi nito eiyûki (復讐二島英勇記), Kado Theater, Osaka
Signature:
Shunbaisai Hokuei ga
Seals:
No artist seal
Publisher:
Honsei (Honya Seishichi: 本屋清七)
Date:
5/1835
Format:
(H x W)
Ôban nishiki-e
37.1 x 26.2 cm
Impression:
Excellent
Condition:
Very good color, unbacked thick paper; repaired thin area and slight discoloration between right hand and face, album crease and thin spot along left edge, rubbed LR corner
Price (USD/¥):
Comments:
Background

Katakiuchi nito eiyûki (A tale of revenge and great courage on two islands: 復讐二島英勇記) draws upon the many legends of the historical Miyamoto Musashi (c. 1584-1645; 宮本武蔵), whose name meant "Storehouse of military knowledge." Born in Mimasaka or Harima, Japan, he was a legendary swordsman and the son of the celebrated fencing master Yoshioka Tarozaemon, a retainer of the Ashikaga shôgun Yoshiteru. Musashi was a bold and reputedly reckless adventurer who nevertheless survived armed combat more than 60 times and died a natural death on June 13, 1645 in Higo. Katakiuchi nitô no eiyûki was one of the many popular tales of vengeance and retribution, "revenge plays" called katakiuchi mono (敵討物) or adauchi mono (仇打ち物). In one such incident, Musashi adroitly used a wooden sword — a deadly weapon in the hands of a master — to slay the murderer of his father. Today, Musashi is widely known as the author of Gorin no sho (The Book of Five Rings: 五輪書), a treatise on military tactics, strategy, and philosophy. After its first English translation in 1974, the publication captured the popular imagination and was seriously studied by business executives in the West to understand Japanese management techniques and strategies.

Design

This is one of Hokuei's notable roundel designs in which the actor is shown in ôkubi-e ("large head": 大首) format. It depicts a standard mie (climactic pose: 見得), as other Osaka artists, including Hirosada, portrays actors in the same manner for this role, presumably showing Musashi in the mountains where he confronts Kasawara Bokuden.

The printing of this design is quite fine and the colors are very well preserved.

References: WAS II-5, no. 529; KNP-6, p. 298; OK, no. 164; Fiorillo, Hokuei: Master of Osaka Kabuki Prints, 2024, catalogue raisonné, no. 181