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Kunihiro (國廣)

Description:
Iwai Shijaku I (岩井紫若) as the courtesan Minoya Sankatsu (みの屋三勝) and Arashi Rikan II (嵐璃寛) as Akaneya Hanshichi (赤根屋半七) in Daigashira Midori no Iromaku [The Surge of Love Beneath the Green Cover, 台頭緑色幕], Naka Theater, Osaka
Signature:
Kunihiro ga (國廣画)
Seals:
No artist seal
Publisher:
Tenki (Tenmaya Kihei: 天満屋喜兵衞)
Date:
3/1834
Format:
(H x W)
Oban nishiki-e
37.5 x 52.1 cm
Impression:
Excellent
Condition:
Excellent color, unbacked thick paper; album crease along one edge of each sheet, smudge under Shijaku’s name
Price (USD/¥):
$775 / Contact us to pay in yen (¥)

Order/Inquiry(Ref #KUH52)

Comments:
Background

In 1695, the real-life Akaneya Hanshichi (the son of a sake merchant from Gojô in Yamato province) and his lover Minoya Sankatsu (the adopted daughter of Minoya Heizaemon of Nagamachi in Osaka) committed double suicide (shinjû) at Saitarabatake, part of the burial ground of Sennichiji, an Osaka monastery. In response, the play Akane no iroage (Akane's love reawakened) was staged that same year and became the first love-suicide play (shinjû mono: 心中物) to be a hit with the public, running 150 days (anything over 100 days was considered exceptional).

The best known dramatization, Hade sugata onna maiginu (A stylish woman’s dance robe: 艶容女舞絹) premiered in 1772. In that version, Hanshichi deserts his wife Osono for Minoya Sankatsu — a geisha he has loved since before his arranged marriage to Osono. To complicate matters further, Hanshichi and Sankatsu have a young daughter, Otsû. When Hanshichi is accused of murdering a man in a brawl, he turns fugitive and is disowned by his father. The dutiful Osono blames herself and considers taking her own life. (She is regarded as a model of the virtuous stage wife by kabuki audiences, reflecting rigid 19th-century dictates proscribing female behavior that would be considered intolerable today.) However, when the lovers send Otsû to Hanshichi's family home, all soon realize what the lovers intend to do. The child carries a letter in which they ask Osono to look after Otsû and to comfort Hanshichi's parents after the death of such an undutiful son.

Design

This scene, at the end of Act I, shows the lovers just before they begin a river journey whose destination is the burial ground where they will commit double suicide. As Minoya Sankatsu attempts to jump into the Sumida River, she inadvertently leaps into the boat (here she seems to hang in mid-air). Akaneya Hanshichi, meanwhile, warms himself by a brazier.

The diptych presents a wonderfully realized and imaginative rendering of the scene.

References: KNP-6, p281; IKB-I, 2-433); Victoria and Albert Museum, London, no. E5429-1886